Clark, Bobby (16 June 1888–12 February 1960), clown, was born Robert Edwin Clark in a church rectory (his grandfather was the church sexton) in Springfield, Ohio, the son of Victor Brown Clark, a railroad conductor, and Alice Marilla Sneed. His father died when Bobby was six. As a young boy Clark sang in the church choir and played the bugle. His fascination with outlandish costumes, which became one of his theatrical trademarks, was apparent at an early age. When he was in the fourth grade Bobby met Paul McCullough, four years his senior, and a close friendship was formed that lasted over thirty-five years. The two boys soon put together a bugling and tumbling act that they performed at the local YMCA. Clark and McCullough’s act was received so favorably by the residents of the area that, at the ages of seventeen and twenty-one, respectively, they decided to embark upon a career in show business. They began to place advertisements in various theatrical publications. The response was favorable and Clark and McCullough, as they now called themselves, were hired by a minstrel troupe as tumblers, buglers, and handymen, with a combined weekly salary of twenty-five dollars. They were on their way....
Clark, Bobby (16 June 1888–12 February 1960), clown
Charles W. Stein
Hart, Tony (1855-1891), actor and singer
Hart, Tony (25 July 1855–04 November 1891), actor and singer, was born Anthony Cannon in Worcester, Massachusetts, the son of Anthony Cannon and Mary Sweeney, both of whom had emigrated from Ireland. He put on amateur performances as a child, but a pattern of delinquency began with disruptions at school and culminated in the near murder of a rival during a performance; his parents placed him in the Lyman School (a state reformatory at Westborough, outside Worcester) in 1865. He escaped several months later and traveled to Boston, where he supported himself as a singer, a bootblack, and a newsboy, and then to Providence, where he sang and danced in saloons and was dubbed Master Antonio by a saloon keeper. He joined a touring circus, and then Billy Arlington’s Minstrels; in 1870, at age fifteen, he joined Madame Rentz’s Female Minstrels. Dressed as a little girl, he evoked tears with a sentimental song, “Put Me in My Little Bed.”...