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Carr, Benjamin (12 September 1768–24 May 1831), composer, organist, and music publisher, was born in Holborn, England, the son of Joseph Carr, the owner of a music store in London, and Mary Jordan. Born into a musical family, Carr studied music with Samuel Arnold, a well-known opera composer, and Charles Wesley, an organist and composer of Methodist hymns. In addition to singing in concerts, Carr was involved with the London musical stage and wrote an opera, ...

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Herrmann, Eduard Emil (18 December 1850–24 April 1937), violinist, composer, and string quartet director, was born in Oberrotweil, duchy of Baden (now Baden-Württemberg, Germany), the son of Eduard Stephan Herrmann, a schoolteacher, and Amalie Knoebel. At an early age Eduard was trained musically by his father and later was given a stipend by the duke of Baden for his further education. In Freiburg he studied violin, then in 1864 enrolled at the Stuttgart music conservatory, where he was encouraged to continue by Franz Liszt. His quest for advanced musical training and broadened intellectual opportunities brought him in 1868 to the Berlin conservatory (Hochschule für Musik), where he became a protégé of the renowned violinist Joseph Joachim....

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Howe, Mary (04 April 1882–14 September 1964), composer, pianist, and music activist, was born Mary Carlisle in Richmond, Virginia, the daughter of Calderon Carlisle, a lawyer, and Kate Thomas. Howe was educated at home by tutors, including a piano teacher, Herminie Seron, who provided her with a thorough grounding in music theory and piano. Howe traveled abroad frequently with her family. During a visit to Europe in 1904 with her mother, she studied piano for a brief and intense period of time with Richard Burmeister in Dresden, Germany. In 1910 she began studying with Ernest Hutcheson and Harold Randolph at the Peabody Conservatory of Music in Baltimore and, at Hutcheson’s suggestion, studied composition with Gustav Strube. In 1922 Howe earned a diploma in composition from Peabody, for which she presented a full program of her own works. The concert featured her Sonata for Violin and Piano, several piano solos, choral works, and a group of songs, including “If I Am Slow Forgetting,” “Cossack Cradle Song” (later renamed “Berceuse Cossaque”), “There Has Fallen a Splendid Tear,” and “O Mistress Mine.”...