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Clark, Bobby (16 June 1888–12 February 1960), clown, was born Robert Edwin Clark in a church rectory (his grandfather was the church sexton) in Springfield, Ohio, the son of Victor Brown Clark, a railroad conductor, and Alice Marilla Sneed. His father died when Bobby was six. As a young boy Clark sang in the church choir and played the bugle. His fascination with outlandish costumes, which became one of his theatrical trademarks, was apparent at an early age. When he was in the fourth grade Bobby met Paul McCullough, four years his senior, and a close friendship was formed that lasted over thirty-five years. The two boys soon put together a bugling and tumbling act that they performed at the local YMCA. Clark and McCullough’s act was received so favorably by the residents of the area that, at the ages of seventeen and twenty-one, respectively, they decided to embark upon a career in show business. They began to place advertisements in various theatrical publications. The response was favorable and Clark and McCullough, as they now called themselves, were hired by a minstrel troupe as tumblers, buglers, and handymen, with a combined weekly salary of twenty-five dollars. They were on their way....

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Hart, Tony (25 July 1855–04 November 1891), actor and singer, was born Anthony Cannon in Worcester, Massachusetts, the son of Anthony Cannon and Mary Sweeney, both of whom had emigrated from Ireland. He put on amateur performances as a child, but a pattern of delinquency began with disruptions at school and culminated in the near murder of a rival during a performance; his parents placed him in the Lyman School (a state reformatory at Westborough, outside Worcester) in 1865. He escaped several months later and traveled to Boston, where he supported himself as a singer, a bootblack, and a newsboy, and then to Providence, where he sang and danced in saloons and was dubbed Master Antonio by a saloon keeper. He joined a touring circus, and then Billy Arlington’s Minstrels; in 1870, at age fifteen, he joined Madame Rentz’s Female Minstrels. Dressed as a little girl, he evoked tears with a sentimental song, “Put Me in My Little Bed.”...

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Stratton, Eugene (08 May 1861–15 September 1918), music hall artiste, was born Eugene Augustus Ruhlmann in Buffalo, New York, the son of George Ruhlmann, an Alsatian saloonkeeper, and his wife Mary (maiden name unknown). Stratton’s American career was typical of its era. In later life he recalled attending the Christian Brothers school and working as a telegraph messenger, practicing acrobatics and dancing “five or six hours daily” (quoted in Barker). At age ten he teamed up with “a great big fellow” named Lesley, who would toss him around during their burnt-cork act, “The Big and the Little of It,” at Dan Shelby’s Saloon. Stratton next soloed as Master Jean, dancer and tumbler, and by age thirteen reckoned he had become “something of a champion in a small way.” Before he was fifteen he had played in a ...

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Zacchini, Hugo (20 October 1898–20 October 1975), circus daredevil, was born in Peru, the son of Idebrando Zacchini and Nina Dal Paos, Italian circus performers. Zacchini was born while his family was on tour, and he and his eight siblings performed in the circus, most of them, eventually, as human cannonballs. The oldest son, Edmundo, was first a famous clown, known throughout Italy and North Africa as ...